![]() ![]() In Actress Again, the future that Arcueid summoned was not the Crimson Moon from a thousand years into the future but rather the end of all humanity. Night of Wallachia 's ending in Melty Blood Actress Again Wallachia was eventually destroyed when Arcueid used her Marble Phantasm to prematurely summon the Crimson Moon, stripping Wallachia of his power, after which he was killed by Shiki and Sion. He even managed to make Sion succumb to her vampiric impulses for the first time, and made her fight against Shiki. In Melty Blood, the Night of Wallachia appeared within the city of Misaki Town and was able to manifest the fear present in several of the main characters’ hearts, creating entities such as an evil Arcueid who had succumbed to her bloodlust, a form of the bloodthirsty assassin side of Shiki, and even the memory of Nrvnqsr Chaos. He cruelly likes to mock people by exploiting their deepest flaws and fears before tearing them apart. He greatly enjoys slaughter and the ironically tragic deaths his manifestations are able to cause in some cases. He doesn't like bodies without abilities, such as Akiha, but he does enjoy her appearance. While he is fine being one of the Twenty-seven Ancestors, he would rather become an original True Ancestor, Arcueid, which would be more appropriate for his final form. He has not had a woman's body for a long time due to being unable to choose his form. He likes to play around with his manifestations, and he greatly prefers female bodies to those of males because he thinks drinking blood in a woman's body is a necessity for the climax of the scenario. He has lost himself in his madness, but has embraced it at the same time, having decided to enjoy the end of the world at his leisure. While he generally displays a calm and stoic demeanor, he is prone to go into fits of ranting insanity where he shows blood red eyes that leak blood just from being open. He likes to put on theatrical speeches while conversing with others. He frequently refers to different "acts", the "stage", and the "audience" when describing his massacres. He has taken to equating his role as TATARI to that of a director putting on a play. He does see some form of hope in Sion's endeavors, and wishes to see her answer to the problem. ![]() In his madness, he has accepted that the end of the world, following a desperate struggle to live on, is not true destruction but instead a conclusion. His greatest wish became to create a future even he cannot predict. Zepia went mad after he found that, no matter how much he searched, that there was no way for humanity to avoid its destruction. The last anybody heard of him was 500 years ago, in Transylvania. His metamorphosis into the TATARI, theorized and formulated as part of his research of The Sixth, was realized through a pact with Altrouge Brunestud, who summoned the Crimson Moon and transformed him into the curse, casting him into a cycle by which he would continuously manifest in pre-calculated areas, the journey destined to finalize a thousand years later when the reappearance of the Crimson Moon would return him to his original form as Zepia Eltnam Oberon. In doing so, he disgraced his name, and now the Eltnam are considered a ruined noble house of alchemists. He left Atlas and continued his research outside, transforming himself into a Dead Apostle. To become a vampire, he needed to break the golden rule of Atlas, that everything created in Atlas must be kept and disposed of within the domains of the organization. He became convinced that he had to become a vampire and increase his power in order to reach The Sixth. ![]() Obsessed and driven mad by this realization, he sought to oppose a universal law known as Sixth Law, which was said to be the bringer of that ultimate destruction, with the intention of creating an impossible future that would escape even his calculations. ĭuring his research, the ability of the Atlas alchemists to calculate and predict the future eventually revealed to him that only destruction would be an absolute result for the world. In the World of Magecraft, where a resemblance of names holds a deep meaning, the relationship between him and the fairy king Oberon of A Midsummer Night’s Dream WP is a story only he knows. He had chosen the name "Oberon" for himself. Originally a genius alchemist from Atlas named Zepia Eltnam Oberon, a member of the prestigious noble family of Eltnam, for whose downfall he was responsible.
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